Jessica Biel’s Best Date Night Hair Moments, in Honor of Her Wedding Anniversary

Today marks five years since Justin Timberlake and Jessica Biel said ‘I do,’ and the half decade that’s passed since they tied the knot has brought new projects, new haircuts, a two-year-old son, Silas, and a slew of date nights—along with the his-and-hers looks that define them. While Timberlake’s full beard, blue eyes, beanies, and playful nature have served as well-honed signatures throughout the past year, Biel often plays a glamorous all-American foil to her husband’s low-key Southerner.

Back in January, an evening out found the actress shaking out a mane of mussed brunette waves, minimally made-up eyes framed by bangs and offset by a pale pink lip, a decidedly cool counterpoint to her husband’s scruffy beard and black knit cap. Slick updos and edgings of onyx eyeliner characterized Biel’s awards season approach, while Timberlake’s fade haircuts and bow ties offered the ideal pairing to his wife’s sophisticated sensibilities. At the Golden Globes, a dramatically deep part and glossy petal pink lips were paired with strategic showings of skin, while Biel’s Oscars look relied on her statuesque silhouette, sun-kissed skin, and coral lips to telegraph of-the-moment elegance.

For casual outings, Biel’s insouciant knots—bound at mid-level or in topknot territory—were worn both bordered by bangs or defined by wispy flyaways, though sunglasses are always a prerequisite. And the best aesthetic answer to her partner’s freshly shorn buzz cut, worn for the premiere of his new movie, Wonderwall, in New York. In Biel’s world, a scraped-back and slightly risen updo, the romance factor upped by metallic lids and rosebud-colored lips. Happy Anniversary, Mr. and Mrs. Timberlake—may the coming year be filled with happiness, love, and good hair.

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Tracing Donatella Versace’s Beauty Evolution, From Blonde to Blonder

For all of the current commotion over fashion’s major makeover transformations on the runways, there’s something to be said for sticking to a signature look. Take, for example, Donatella Versace, who has spent her career perfecting the unending appeal of body-con dresses and a lifetime honing a trademark shade of rock ‘n’ roll blonde.

Versace’s thumbprint personal taste has not been swayed by aesthetic trends—you won’t find her regretting a pixie, a shag, or a 180 dye job. Case in point: A look back in time proves that for the designer, a waist-grazing blowout goes with everything from off-the-shoulder gowns to second-skin minis and smartly tailored power suits. Often captured in early pictures at the side of her late brother, Gianni, before taking the helm of the family business, she embodied the house’s va-va-voom sex appeal. Although in recent years, not even Versace could ignore the temptation to play with an abbreviated new length and canary tipped ends, as seen at this year’s Costume Institute Gala.

When it comes to makeup, she, like many Italian icons before her, relies on a daily rimming of black eyeliner for instant impact and a bronze-is-better aesthetic. And at least one photograph proves that nothing—not even a dance party with Jennifer Lopez—can come between her and her lip gloss.

Jessica Alba’s Lipstick Switch Is the Ultimate Date Night Trick

Forget a swiftly-executed updo or another coating of mascara—the easiest evening switch-up is best carried off at lip level. For proof, look to Jessica Alba, who welcomed a night out in L.A. with a duo of contrasting pouts, the simple shift seamlessly morphing one above-neck moment into two.

First came an application of crimson, the painted shade commingling with a set of exaggerated gilded earrings and a floral robe coat for a bold, almost exotic feel, furthered by a bit of blush and Alba’s own pregnancy glow.

Later that evening, the Honest Beauty founder prepared for the opening night of Hamilton in Hollywood with two quick changes: husband Cash Warren on her arm, and a swipe of understated nude in place of carmine. Whereas the red had demanded a bit of extra attention, the subtler option served to put the focus on framing details, with the kittenish flick of black liner and polished caramel lengths taking center stage. The lesson? When it comes to repurposing a beauty look, this effortless about-face is more than just lip service.

Ditch Your Ballet Flats For Mary Janes

There’s something about Mary Janes. Breaking news? Not exactly, but there is something about the latest quirky-cool incarnations of the shoe style—from Attico’s oversize buckle closures to Miu Miu’s denim straps dotted in pearls—that have this Vogue writer reconsidering the nineties throwback. There are no hard and fast rules on how to wear them—just channel your inner Courtney Love in black and white Campers or Comme des Garçons, or go more gamine à la Alexa Chung in bow-embellished blush color flats. Pair them with pretty much anything from shirtdresses and skinny jeans to long, lean skirts—but maybe leave the plaid miniskirt and knee-highs at home, lest you be mistaken for a schoolgirl.

5 Days, 5 Looks, 1 Girl: Laura Love

Models in New York City know a thing or two about on-the-go style. Contrary to popular belief, they aren’t riding the subway in four-inch stilettos. Laura Love, who moved to New York from her native Los Angeles a few years ago, describes her days as “unpredictable”—she might be on location or working out with her trainer or rushing to fittings, meetings, and appointments all over the city. So her uniform consists of jeans, a T-shirt, a great pair of boots—and a beautiful handbag. “For me, having a nice bag is the most important part of a look,” Love says. “You can wear anything, from workout clothes to overalls and sneakers, and a nice bag will make it feel so chic and clean.”

Maria Grazia Chiuri’s new Dior handbags are fashion-forward but also practical enough to suit Love’s busy life. The Lady Dior bag, for instance, comes with a thick, striped shoulder strap you can adjust to different lengths, and the Dior Addict can be worn on the shoulder for day or as a cross-body for evening thanks to a removable, engraved chain. Here, she wears her favorite Dior bags five ways—one for each day of the workweek–and shares everything from her approach to personal style to her early handbag memories to her go-to coffee shop.

This Photographer’s Bathhouse Nudes Are Challenging Perceptions of Arab Women

Part of the message in photographer Yumna Al-Arashi’s latest project, called “Shedding Skin,” is conveyed simply by the fact that it exists. To those on the periphery of the culture, the idea of a group of Arab women allowing themselves to be photographed nude, in a hammam, or communal bath, in the Middle East seems unlikely. The stereotypical image of Arab women assumes they are devoutly practicing Muslims, wearing hijabs and long skirts and conducting themselves with religious modesty, exposing their bodies exclusively to their husbands, and perhaps to female relatives or friends behind the closed doors of a hammam. Would they allow themselves to be captured in such an environment by a boundary-pushing 28-year-old American artist, for a gallery show? In the Western imagination, probably not.

But here’s the thing: Not only did the Arab women whom Al-Arashi photographed in a hammam in Beirut agree to be photographed nude—they also didn’t look like any sort of preconceived stereotype, comprising instead a scene that could have been in Paris or New York. On a Saturday in April, they filed into the hammam’s waiting area wearing casual clothes and chatting animatedly, checking their iPhones and smoking slim cigarettes between sips of coffee and tea. A group of three friends began to thread each other’s eyebrows and upper lips, bringing each other to knee-slapping tears as they cracked jokes. Later, Al-Arashi would estimate that only about half of them were Muslim. Al-Arashi, who grew up in Washington, D.C., the daughter of a Yemeni diplomat father and an Egyptian mother, is of the faith herself, and has made a name for herself photographing women in the Arab world and its diaspora. But, she explains, “I don’t only photograph Muslim women. A Muslim country isn’t necessarily closed off to other religions.”

When Al-Arashi had originally conceived of the photos—inspired by a visit to hammam in Tunis, where she was working on another project, documenting the last generation of Muslim women with facial tattoos—she imagined finding a beautiful, ancient-looking bathhouse for the setting. She scouted in Tripoli, in northern Lebanon, and found some contenders, but quickly struck out; none of the owners were comfortable with the idea. When she came across the hammam in Beirut, which is perhaps the most liberal city in the Middle East, and where she had lived for a stretch, she had some hesitation: It was contemporary, a sort of 1980s interpretation of antiquity, “kind of tacky,” even. “It’s not what I was envisioning, initially,” she said. “And then I was like, you know what? Why am I trying to replicate the old hammams? I want it to be today.”

This conscientiousness was exactly what had made the project possible in the first place: The shoot, along with exhibitions of the finished photos and a short film in New York and Los Angeles, was funded by ASOS, the British online fashion and beauty superstore, as part of the company’s ASOS Supports Talent program, which sponsors up-and-coming young artists whose work has as an aspect of social justice to it. When the company had first reached out to her, she wasn’t sure that they would embrace the concept: “A lot of people aren’t willing to go down the route of turning off people’s opinions about the Muslim woman,” she said. When they signed on, “I was just amazed,” she recalled. Al-Arashi has been similarly encouraged by a growing number of corporations with global reach who she sees as opening a window into the Arab experience, including Nike’s recent campaign depicting powerful Hijabi athletes. “It didn’t say, ‘Hey, don’t ban Muslims,’” she noted. “It said, ‘Hey, she’s one of us.’”

At the shoot, Al-Arashi was radiant with excitement, dressed in black jeans over a black leotard with a chic silk scarf tied around her neck, her long curly hair piled into a bun on top of her head, her skin dewy from the building steam of the bath. She was thrilled to have managed to pull together an entirely female crew, who had been working nonstop for a week to organize the set and gather willing friends and acquaintances to be models. The women, who ranged in age from early 20s to mid-60s, seemed comfortable and relaxed as they undressed and wrapped towels around their waists, revealing breasts and bodies of all shapes and sizes, many with tattoos and piercings. In the bath, they arranged themselves on a pedestal in the center of the room, and on the steps leading up to a hot tub, and along a stone wall with spouts from which warm water gently trickled out. As Al-Arashi began to take photographs, offering occasional direction, they used bowls to pour water over themselves and each other. One woman combed another’s hair, while nearby hammam attendants began to scrub another woman vigorously, sloughing off dead skin. A murmuring din filled the space. The light was dreamy and golden, giving the scene the air of a Renaissance painting.

“I really want to show these spaces for what they are, because they’re important to so many people in this culture,” Al-Arashi said. “I remember, growing up, seeing how these scenes were depicted in art and that was always powerful. Why don’t we ever see this anymore? Why is this a closed-off space to the rest of the world? Because really, when you’re in these spaces you’re just a body. It’s not about how you’re sitting or how many rolls you have or how hairy your legs are, there’s no difference between pretty and ugly. They’re places where people just laugh and talk about everything. It’s really beautiful, and really normalizing.”

Pippa Middleton’s Sculpted Arms Are Her Best Bridal Accessory

It’s been six years since Pippa Middleton’s shapely silhouette became the stuff of bridesmaid legend in a form-fitting Alexander McQueen gown at her sister Kate’s royal wedding. And today, the lady of the hour, who married hedge fund manager James Matthews in Berkshire, England, let one particular sculpted asset play best accessory to her couture gown.

Arriving outside St. Mark’s church in a lace Giles Deacon gown, it wasn’t just Middleton’s healthy bronzed glow and pearl-threaded updo that stole the show, but her impeccably toned arms. Following a rumored three-month boot camp at London’s Grace Belgravia club, which reportedly included yoga, Pilates, and cardio dance class, the athletic brunette was in top shape for the nuptials. Whatever the secret to her sculpted shoulders and razor-sharp, defined triceps, expect Middleton to show off the fruits of her 360-degree fitness and nutrition program at the reception—and brides the world over to beeline for the gym stat.

Can Gen Xers Pull Off Millennial Pink? Jenna Lyons Shows How It’s Done

As Harry Styles rocked out in a custom Edward Sexton millennial pink suit this morning, just across town, former J.Crew executive creative director and president Jenna Lyons proved that the cheery color can be sported by grown-ups, too. Lyons has long lent feminine twists to menswear tailoring, deviating from convention at events and Met Galas past in everything from denim to cashmere V-necks offset with feathers, embellishments, and ball skirts. Earlier today, however, the designer took a more minimal approach in As Ever’s jumpsuit.

The fresh rose hue added a girlish spin to the workwear silhouette. Extra polish came courtesy of a tailored camel topper, leather tote, and pointy-toe pumps, while Lyons’s signature thick-rimmed frames added a bookish touch. Swap out the coat for a tuxedo jacket, and you’d have a modern high-low mash-up perfect for a Lyons-style evening out.

Your Fly Is Showing: Here’s Why the Exposed Zipper Rules

Feeling a little bit frisky of late? So is Vetements. Just last week, the label released a deliciously rude pair of jeans as part of its Spring 2017 Vetements x Levi’s collaboration with a visible zipper fly that left little to the imagination. It goes a full 360 degrees from front to butt, adding a perverted twist to standard denim. Vetements isn’t the only label jumping onto the risqué-chic look: Off-White toyed with a prominent O-ring zipper, and the up-and-coming, Bella Hadid–beloved label Lorod went the minimalist route with an exposed thin zip that hit the sweet spot. So why the flashy fly now? The little detail brings a bit of easy cheek to the standard jean without going over the top—the sort of subdued seduction that feels perfect for spring.

For the same reason, button flies have been getting some literal exposure, too. Similar to Alexander Wang’s cut-across button fly for Fall 2017, AG applied the diagonal concept to its cropped flares this season. Unravel Project went the opposite direction, flipping its denim inside out to show a can’t-miss-it take on the standard button-up crotch. Another novel twist came at Ellery, which switched out the standard silver button for a glint of gold. If you’re looking to draw attention with an actual drawstring à la Off-White, grab a pair of Aries Arise slouchy slit denim pants fastened at the waist with a piece of statement-making twine. More of a skirt girl? Linder’s Fall 2017 corset-style mini has a bold version, while House of Holland’s in-season item sports a cool button-meets-zipper on an A-line silhouette. Whichever you choose, an out-in-the-open fly is a sure way to add bite to your warm-weather wardrobe. Here, 16 ways to get the look.

Jaden Smith and New Girlfriend Odessa Adlon Make Casual Look Cool

Don’t expect Jaden Smith to show up in board shorts and a Hawaiian shirt when it’s time to hit the beach. On a trip to Miami with actress Odessa Adlon, his rumored new girlfriend, the always-original actor put a unique spin on warm-weather style by revisiting the look of the ’90s: a kitschy pair of patchwork MSFTSrep jeans and a black T-shirt covered in eagles and lightning bolts. Throw in a set of freshly bleached dreads and plenty of PDA with Adlon, and you have Smith at his casual best.

Adlon’s own offbeat fashion choices make her an equal standout ahead of her small-screen arc on Nashville. Here, she followed Smith’s lead by doubling down on retro essentials with a Simpsons tee, choker, and belted mom jeans—a combo pulled straight out of 1995. To that, Adlon added hoop earrings, ankle boots, and a single red rose that looked like a romantic gift.

The couple’s low-key look underscores one of fashion’s great ironies—that no one loves ’90s nostalgia more than those who didn’t really live through it. Having spent years in skorts and lace chokers, Gen Xers may never want to see those trends again, while current teens can’t stop embracing the era’s hallmarks. Smith’s love of the decade is particularly well documented—he frequently cites Spike, the bleach-blond sometimes villain from Buffy the Vampire Slayer, as one of his style icons—and it seems like he has finally found someone who shares his enthusiasm. Young, in love, and fashionably in sync—we expect plenty more throwbacks ahead.